Daphni - Cherry

Whether in the studio or the club, Daphni has always been a pursuit where Dan Snaith lets the music find its own path. With Cherry this is more evident than ever, this sense of the tracks as objects with life and desires outside of Snaith’s control has now become a driving force in their creation. "There isn't anything obvious that unifies it or makes it hang together" Snaith says, "I think it was good that it was made without worrying about any of that. I just made it."

Recorded over a prolonged period, Snaith let the music go where it wanted to go. It wasn’t until he put everything he’d been tinkering with together that he realised what he had. "It's weird that when the tracks were put in what felt like the right order it took on a new coherence" he says, "where it pings quickly from one idea to the next and, at least for me, hangs together in way that feels unified. Maybe because it's hard to avoid the musical fingerprints I leave on the music I make, whether I want to or not."

The component parts have this same sense of independence, the essence of Daphni always present over music that is more free-wheeling than it’s ever been, almost escaping Snaith's grasp as it tumbles and spirals. "As is often the case when you're working quickly and intuitively, new pieces of equipment played a part" he says.

New gear and ways of working meant Snaith was able to sit at the centre of the music but let things get away from him a bit more as equipment began to make its own decisions before reeling it back in to suit his purposes, or as he puts it "getting the snake to eat its own tail".

''Snaith clearly revels in his work as Daphni, and dancefloors the world over will continue to be all the better for it.'' NME 4/5

'Tantalising fragments of disco surface in tracks that meld '80s techno, '90s deep house and more surprising elements like Arabic funk'' UNCUT 8/10

''This time, that intent is less overt, and Cherry feels more exploratory and experimental.'' Loud and Quiet 7/10

''The album is punctuated by a couple of sub-two minute snippets in the form of Falling and Karplus, but this does little to disrupt the flow of a superb album, and the finest under the Daphni moniker.'' NARC 5/5

Tracklist:
1. Arrow
2. Cherry
3. Always There
4. Crimson
5. Arp Blocks
6. Falling
7. Mania
8. Take Two
9. Mona
10. Clavicle
11. Cloudy
12. Karplus
13. Amber
14. Fly Away

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