Description
onto the world of Project Gemini aka Paul Osborne, Colours & Light is the
body of work that will be buried deep into their hearts
soundtracks and hazy cinematic funk.
A growing confdence and ease emanate from the writing and production of this
sophomore LP, bolstered by the reception to his standout debut. "It's a more
layered and diverse record" Paul mentions, "with a more outward-looking, global
sound, born out of the records I was listening to and the musicians I was lucky
enough to collaborate with". It feels relaxed yet self-assured, with a kaleidoscope
of sounds that twist together in a mesmerising fashion.
The theme of the album developed naturally through the lyrics Paul began writing.
A creative process both plagued and fed by insomnia, nourished by relationships,
entwined in emotions, nights out, nights in and the after- effects on the human
condition. Relatable themes yet seen through the prism of a soundscape that
takes in many a different culture and scene. From acid folk to psych- funk,
Francophile elements to Anatolian and Eastern inspirations, all interlocking and
rotating as one.
Drawing inspiration from those he admires, Colours & Light radiates with
collaborations. The title track, which tips its hat to a live 1973 TV version of
Pentangle's 'Wedding Dress', features the folk rock, guitar brilliance of Jack Sharp
from Wolf People/Large Plants.
Elsewhere, two tracks are blessed by the sultry, smokey French vocals of Gloria's
Wendy Martinez, 'Extra Nuit' and 'Entre chien et loup'. The former echoes Paul's
love of classic French psych- pop from the late '60s and early '70s and artists
such as Laurance Vanay, Calcium, Leonie, and Serge Gainsbourg. Martinez's
sublime vocal work nestles perfectly within Paul's psych-folk-funk productions, as
her Gloria partner, Alexis Morel (aka Kid Victrola) sprinkles a dose of entrancing
guitar line magic on proceedings.
The list of collaborations extends further with Raz and Markey Funk, drummer
Tony Coote and percussionist Paul Elliott all featuring. Regular collaborator and
underground icon Barrie Cadogan (Little Barrie) returns along with Bert Page from
The Cromagnon Band, who between them provide a hit of whacked-out, fuzzed-up
country guitar and Moog madness respectively on 'Lost In The Woods
(Bacchanal)'.
Rounding off the record Paul's daughter, Olivia Osborne, supplies the keyboard
intro on the penultimate track 'Twilight'. Dorian Conway from The Soundcarriers
(whose bandmate Paul Isherwood returns on mixing duties) then layers echoing
heavy fute parts to magically capture the psychedelic sunrise images brought to
mind.
Balancing light and shade on this record, there is beauty and tension all wrapped
up in Paul's vivid and visceral, storytelling gift.
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