With ‘Two’ Sink Ya Teeth want to beckon in another Summer of Love. Where their
self-titled debut album, released in June 2018, channelled the carefree vibes of
New York’s Danceteria and Paradise Garage circa 1983, the follow-up continues in
this vein but delves deeper into their world.
A world where melancholia and deep house make perfect bedfellows. Of late 70s
post-punk and euphoric disco. Of rubbery staccato bass-lines and vocals that swing
between sweet menace and deadpan indifference.
Maria Uzor and Gemma Cullingford formed Sink Ya Teeth 3 years ago in a pub in the
flatlands of Norfolk, and write and record all their music in their living rooms. The
duo take themes of self medication (‘The Vaccine’), problematic neighbours (‘Stella’),
and unity in the face of current division (‘The Hot House’) and set them to a pumping
4/4 beat. It’s dark disco, sure, but it’s OK to dance in the dark.
The past year since the release of their debut has seen them unexpectedly headline
European festival Pohoda to a crowd of 30,000 after Lykke Li pulled out at the last
minute, embark on tours in the UK and France, and record sessions for KEXP in France
and BBC sessions at Maida Vale. The pair have garnered fans in Steve Lamacq & Amy
Lame (BBC 6 Music – their debut was Amy’s pick for ‘Album of the Year’ and they
recorded a session for Steve in July 2018), James Lavelle (UNKLE), A Certain Ratio
(who they have regularly played alongside) and their first album was reviewed
favourably by The Guardian, Pitchfork, Q, Electronic Sound and Loud & Quiet
3.The Hot House
9.On The One
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